Watson Institute for International and Public Affairs
China Initiative

China Chat — @Nantou Ancient City #Common Origins — Inventing an Origin Myth for the Greater Bay Area

Tuesday, December 3, 2024

12:00pm – 1:00pm

Leung Conference Room (110), Stephen Robert '62 Hall, 280 Brook Street

At this week’s China Chat we are joined by Artist-Ethnographer Mary Ann O’Donnell who will present her paper, “@Nantou Ancient City #Common Origins — Inventing an Origin Myth for the Greater Bay Area.”

Before the Umbrella Movement (2014), Shenzhen origin stories and exhibitions asserted the importance of an independent Hong Kong to the SEZ’s success; the city’s political difference was implicitly considered a cause of Shenzhen’s success. However, in the aftermath of the Umbrella Movement and the more recent Water Movement (2019-2020), a regional origin story has gained traction in Shenzhen. In this paper, I track Hong Kong’s vexed place in Shenzhen’s evolving cultural geography. From the perspective of Luohu at the historic Sino-British border, Shenzhen origin stories emphasize that cross border cooperation produced economic success. In contrast, from the perspective of Nantou Ancient City, the former seat of Xin’an County and territorial predecessor of both Shenzhen and Hong Kong, both Shenzhen and Hong Kong’s success appear as effects of regional structures. By focusing on the changing representation of Hong Kong in Shenzhen origin stories, I call attention to how this narrative shift justifies a less ‘special’ status for both the Special Economic Zone and the Special Administrative Region, normalizing tighter social control in both cities specifically and the cities of the GBA more generally.

Artist-Ethnographer Mary Ann O’Donnell has sought alternative ways of inhabiting Shenzhen, the flagship of China’s post Mao economic reforms. She co-edited Learning from Shenzhen: China’s Post Mao Experiment from Special Zone to Model City with Winnie Wong and Jonathan Bach; curated the “Migrations: Home and Elsewhere” exhibition at the P+V Gallery for the seventh edition of the Shenzhen-Hong Kong Bi-City Biennale of Urbanism \ Architecture, and; with Chen Wenhui she co-translated the film We Were SMART. Her research has been published in positions: east asian cultures critique, TDR: The Drama Review, and the Hong Kong Journal of Cultural Studies. Ongoing projects include her blog, “Shenzhen Noted” and the Handshake 302 Art Space.