Art History from the South
Art History from the South takes the gesture of world-ing into questions of art and history. In some respects probing the implications of world-ing in art and history, the intertwined visual and discursive fields, Art History from the South takes cue from Okwui Enwezor's landmark 2002 Documenta 11, and its aftermath. When Enwezor wrote "I do not raise the specter of Eurocentrism as an epithet." his concern was not merely with opening up space for artists from the south, but rather taking on the inseparable subjection of judgment and interpretation.